When working in photography always check your makeup in the light of the studio. The makeup preparation room is always bright, and the light is quite yellow. The studio could be completely opposite. Ask the Photographer to do a test photo to see how the makeup comes across. Most Photographers now work with digital cameras that download right to the computer and show the results straight away. This is very helpful. The Photographer appreciates your taking charge and knowing when it is a good time to redo lips, add some gloss, brush the eyebrows, and powder the skin. It’s so much more interesting to participate in the whole process of making a good photo.
Take Down the Makeup
For makeup removal I normally use Crealine, which is easy to use and good for all skin types. But prepared, de-makeup pads are fast and efficient, too. Some models prefer to take off their own makeup, especially around the eyes and lips. Others have their own products with them, which is understandable because of the amount of makeup they wear for work. Many models prefer not to mix all kinds of skin-care products.
Black-and-White Photograph Tip
In fashion shoots, it is not always said if the job is going to be color or black and white. Sometimes it’s during or after shooting when the Photographer works with Photoshop to see what it could be in black and white. Then the decision is made. If you are told ahead of time, here are some
hints to think about. Work much more with the contrasts, and even exaggerate the intensity of colors and shades. There is a lot more “graphism” in black and white than in color photography because we concentrate on the contrasts, shadows, and lighting instead of the color. Graphic lines and structure work very well for the makeup, such as strong eyebrows, eyeliner, nice colored matte lips, nicely posed blushes.
Still, it’s important to ask the Photographer exactly how he or she is going to work their light. Maybe the Photographer wants the image to be contrast and sober, or something luminous and mild. Try to avoid too much gloss or shiny skin, except if it’s desired to create a strong and wanted effect. For black-and-white photography, it’s important to have a nice balance between warm and cold tones to make the skin look alive and beautiful.