Makeup kits for the commercial world are similar to film. There are a few differences between the two. For one thing, you probably will need to bring a hair kit as well as the makeup kit. In many cases one person does makeup and hair for a commercial. Do not do hair if you are not qualified or comfortable with it. If you are working on a non-union shoot, you most definitely will be doing both. On a union shoot with a budget for two or more artists, they will hire a Makeup Artist and a Hairstylist. The union requires that all hairstylists are licensed in cosmetology and keep their license current.
Just as with film shoots, someone should be contacting you with your call times the day before you are to work. Call sheets are usually faxed or emailed. Follow the directions and get to work on time!
When you reach Crew parking, you’ll be escorted by a van to the Makeup setups. In commercials, RVs are usually used instead of Makeup star trailers. There can be several locations in one day, so traveling is easier for Production in RVs. Plus, the number of actors you’ll be working on at one time can be smaller. Of course, this isn’t always the case.
Once you have set up, an AD should start bringing in your actors. Once done, you’re off to set! On commercials, clients who are representing the company that is being filmed are on-set. Clients are there to make sure the company is getting what they need out of the shoot. Be professional at all times. You never know who is listening or who it is that you might be talking to.
At the end of the shooting day, make sure you’ve filled out your time card. Turn in your time card to Production. Be sure to stay for the actors to help remove any makeup if needed. If there is room, I like to have hot towels available.
Now you can find your way back to Crew parking. Drive carefully and slowly going back home. You’ve worked long hours.