In many starenky traditions there is a symbol in the form of a triangle entered in a circle. It, usually, personifies the world of forms which are concluded in an eternity circle. But what longed to tell designer Chris van Ash, having included this unusual symbol in the latest Dior Homme collection?
How on a podium passed the 1st two-three models, display began to remind more "Gattaka" – the technological world of the future. As also esthetic parallels with it in a collection were more than are obvious. Though from a position of their symbolism it appeared much: before the audience there was a stylish world of diorovsky simplicity, refinement, aristocratism, refinement and quite good taste. At the expense of amazing details – uses of inserts of the various flowers, the extended forms, the contrast sleeves, interesting "shirtfront" on jackets, a construction cut, lightnings instead of buttons, combinations of sports and usual details in a decor – Osh managed to melt all this eternal classics into something even more bright and futuristic.
But did not manage and in this collection of the designer without a reversing of a coat, jackets and raincoats inside out – even last winter this reception showed all perfection of a cut and sewing skill of clothes from Dior Homme. And again to all this there was a place on a podium. It is interesting that, despite as a whole a little black – black-and-white, blue, gray-black and issinya-violet – a color palette, the collection left very visible and saturated. It left, first, just thanks to cut, the silhouettes, correctly verified combinations and forms which compensated esthetic and sensual components of juicy tones.
It seems that else never the man’s collection looked such fresh, unexpected and clear but, at the same time such far and detached.
