by Dan Gheno Begin to draw with a scribble-like gesture, moving randomly back and forth across the page, rapidly drawing the model from head to toe and from one side of the figure to the other side. Once you have a feeling for where the figure drawing is headed, start to toss in lines of […]
Category: FOR ALL MAKEUP ARTISTS, EVERYWHERE
BODIES IN MOTION
In art and anatomy, the center of gravity is the point of the body that dictates where the weight is distributed. An imaginary axis used by artists determines where the weight of the body changes. When sitting, the upper body trunk and head rest on the pelvis. When someone is standing, the body is supported […]
PROPORTIONS FOR THE FACE AND BODY
by Don Jusko The skull is the basic division of the human body. To draw the head, start with an oval (3 X 4). Divide the head into three parts: 1. Top of the skull 2. Pupils are the middle. 3. Bottom of the nose to the bottom of the chin Add the lips a […]
VALUE, SHADOW, AND LIGHT
by Dan Gheno Includes information presented in a recent article in Drawing magazine. The study of values is a complicated subject. When trying to draw in a tonal manner, it helps your ability to see value changes on the model if you learn the terminology of the subject. Values: Each object, whether simple like a […]
PROPORTIONS OF THE FACE AND BODY IN ART
An important lesson for Makeup Artists in all areas of makeup is how to correctly determine proportions, shapes, and anatomical structure of the face and body. Makeup Artists are masters at the illusion and manipulation of different shapes and features of the face and the body for makeup designs. Painting and drawing skills will give […]
This page intentionally left blank
INTRODUCTION This journey started for us when the folks at Focal Press noticed that there was a need for an updated makeup book. Writing about what we do, why we do it, and how we do it, seemed necessary, challenging, and a great way to pass on the artistry and craft of being a freelance […]
FOREWORD
“Most civilians—people who don’t make movies for a living—think makeup men are little more than hovering sprites who powder noses. But they are true artists, often unsung, who imprint film with the soft touch of their brushes and the hard work of their craft. “The Man Who Aged Me” by Tom Hanks Article Published in […]
FOR ALL MAKEUP ARTISTS, EVERYWHERE
DEDICATIONS This book is dedicated to my husband John, who has always supported me. To my family, whose artistic abilities never cease to amaze me: Mom, Dad, Son, and Sisters. To my friend and colleague Yvette, who can make me laugh no matter where we are. And of course who can forget Max? —Gretchen Davis […]