The designer always was famous for love to visible and juicy flowers which led to emergence of ambiguous gossips and hearings that the designer of type does not possess dark color and why avoids it. We do not know, whether these hearings reached the sir to Moraliogla, and he decided them to disprove, or the creative star so directed it, but the season 2013-2014 in Erdem’s hands caught autumn-winter new outlines or, to tell more precisely, paints. The designer actively started working with dark flowers and time and for a long time dispelled all gossips and hearings round its relations with a dark palette.
In base of the collection presented in London, laid down black, gray, antratsitovy which only were a little added with bright flowers. Erdem proved that not only pink can have 10-ki flowers, well and black that appeared unexpected for many. And it scooped inspiration from the known film "Person" of cult director Ingmar Bergman, from where it also took idea of a duality of manifestation of things which received the expression that practically all dresses of a collection have two layers: over the main fabric the transparent material settles down. All this sounds, at least, intriguingly therefore I suggest to open immediately заавесь are concealed!
Collection subjects
The base of a collection was made by dresses, both day, and cocktail and evening. They were supplemented by blouses, tops, jumpers, skirts of a mussel and maxi, trousers and a coat.
Colors of a collection
Dark colors became base of a collection, and is concrete, black and unlimited quantity of its flowers with which the designer so masterfully played: gray, Bordeaux and pigeons. On their background from time to time flashed saturated green, pink, yellow passing in lemon, blue and white.
Collection materials
The designer used an ordinary autumn and winter material – wool – having added it with jersey and lace which is one of bargaining chips of a brand.
Collection details
Without considering love to visible flowers, the designer is famous for the addiction to lace and flower prints. They, unlike bright paints, were present at a collection wholly. Without considering a flower print and patterns, products were decorated with ostrich’s feathers, massive paillettes, a geometrical pattern, a steel embroidery and applications from roses.
Well, from time to time, really, it is necessary to depart from standards and to be beyond, after all who knows that waits for you out of… Perhaps, the result will surpass all expectations as it left with a collection autumn-winter 2013-14 brands of Erdem.
