After the first display of a collection of Uliana Sergeenko on a Week of haute couture in Paris in July of last year did not remain absolutely any fluctuations that this success of the Russian designer seriously and for a long time. But, usually, after such triumph the 2nd display always appears even more difficult than the first, after all it is necessary to try to surpass itself and to present everything «in the same place and at the same o’clock» something else more new, interesting, perfect – that wished so by the world of a fashion of haute couture.Но for Uliana as it appeared, this task is absolutely feasible.
Purely Russian, even the "historical" collection of the designer was at present replaced by option even more cosmopolitan and multilateral. The collection showed to public in all beauty the not smaller fitness and to life over the ocean, for example, on Dick Zapade. The audience beheld that Uliana Sergeenko’s name can be associated at present not so much with Chekhov or Tolstoy, but in not smaller degree with Margarett Mitchell and O’Genri, more precisely, with characters of their novels.
The lady who chooses dresses from Sergeenko’s new collection, is young, sure of itself and is very elegant. She got used to spend the time somewhere on the remote ranch in an environment of black servants, horses and strong young men therefore it always looks elegantly and, at the same time, is very weakened, to stylish leather accessories quite often prefers a wattled grass, and to magnificent silks – more successful cotton-lawn. Reading – its main entertainment, at all this her beloved of the book are already perfectly known for everything. And first it is fairy tales with Yury Vasnetsov’s unusual illustrations – the Russian artist whom, that without knowing, and made this visible and unique world. Its sketches from an easy hand of the designer turned into ironic embroideries and applications in the form of chanterelles and the pigs, executed by a grass or a smooth surface, – a very narrow hint on not bad sense of humour and obvious lack of any bourgeois complexes.
Dresses of colonial beauties contained in themselves noteworthy combinations of huge blouses and wide-brimmed hats, magnificent skirts and amazing accessories, causing approval and real ecstasy. Absolutely it was possible to present all these soaring cotton skirts and dresses from Sergeenko this summer somewhere in Hemptonse. Well and the 1st row on display of the Russian designer certainly dreamed about same.
